Have you ever seen “Tombstone,” that 1993, Kurt Russell-starring depiction of the events that led to the gunfight at the O.K. Corral? The movie, a box office smash, was the first of two films released within six months to introduce us to legendary marshal Wyatt Earp, his loyal brothers, and his sickly, but loyal, pal, Doc Holliday. It wasn’t taken seriously by critics, but I rewatched the western recently, and deem the general critical panning as unfair, especially considering that “Tombstone” is not only less boring but also more historically accurate than the Kevin Costner-starring “Wyatt Earp” that premiered six months later and that offered a different take on the events. And Russell, joined by a strong cast that included Val Kilmer (a scene-stealing Holliday), Sam Elliott, and Bill Paxton, turned out to be a natural for the genre.
After rediscovering “Tombstone” a few weeks ago, I followed up my recent viewing of that with one of “Bone Tomahawk,” a little-seen, 2015 indie that also starred Russell, and that combined the western and horror genres to gruesome and mostly good effect. While neither film was what one would consider high art, I enjoyed both of them more than Russell’s other 2015 western, the Quentin Tarantino-directed “The Hateful Eight.” And while the average film critic might cringe at that statement, I found Tarantino’s overlong oater to have better production values than story values.
As for Tarantino, he fared better in the genre with 2012’s “Django Unchained,” and I can’t help but think what a terrific film that would have been with better discipline and less of the director’s usual tendency for dialogue scenes to overstay their welcome. Do “Tombstone” or “Django Unchained” crack the genre’s top ten list? Not quite, though they might make the top 20. Before I talk about films 11-20, however, I must start with 1-10. Here, then, are my picks for the top ten screen westerns:
Continue reading “Top Ten Westerns”
I noticed something weird when re-reading last year’s blog post on this subject. I was ranking the 31st – 40th-best horror movies when I realized that some of my rankings were way off. “Get Out,” which I ranked as #32, went on to win the Academy Award for Best Original Screenplay – a first for the genre. Surely it deserved a higher slot than #32. The film before it on this list, “It Follows,” though just three years old, remains wholly re-watchable, and its stylistic and tonal similarities to 1978’s “Halloween” make it, like “Get Out,” a high water mark in horror cinema during the genre’s recent quality resurgence.
In hindsight, surely both of these movies should rank higher on this first-part list than, say, “The Cabin in the Woods,” a meta-horror comedy from 2012 that, while equally original, likely won’t age as well. I will posit that they should even rank higher than “A Nightmare on Elm Street,” which I enjoyed in the 1980’s but which rarely comes up anymore in discussions about great horror movies. And yet I ranked “Cabin” at #10 and “Nightmare” at #18. Of course, I hadn’t seen “It Follows” when I compiled the first two posts on the subject; and “Get Out” hadn’t even been made at that point.
What can I say? Like every other post on my site, I leave the written content as is (grammatical corrections notwithstanding). The content is what it is, and I’m certainly not the only critic – amateur or otherwise – to rethink a movie’s rank or rating after voicing his or her initial opinion about the film. With that being said, below is my latest list – the fifth in a series – of great horror movies:
Continue reading “And Yet Still Another Ten Good Horror Movies (#41-50)”
Seven days into the theatrical release of “Mission: Impossible – Fallout,” the summer sequel and Paramount Pictures tent-pole is a certified hit. The Friday-Sunday opening release garnered $61.5 million in domestic ticket sales, a series-best and career second-best for star and producer Tom Cruise. Audiences polled by CinemaScore gave the film an “A” rating, and critics have almost universally praised it as well. With so much goodwill surrounding the film, it seems hard to believe that Cruise was almost written out of the series after the third film, released in 2006, was considered something of a box office disappointment.
But even though his Hollywood star doesn’t shine quite as brightly as it did in the 1980’s and 90’s, his “M:I” movies now seem bomb-proof, with three mega-hits in a row, starting with the 2011 sorta-soft reboot, “Ghost Protocol.” And to his credit, he brings 200% commitment to whichever film he is shooting, even cinematic turkeys like “Jack Reacher” and “Rock of Ages.” (Well, maybe not to “The Mummy,” but the less said about that film, the better.)
Does “Fallout” live up to the hype? More on this several paragraphs down, but in a word: Yes. And as we near the second weekend of domestic release for the latest “Mission: Impossible” film, I thought I’d wax critical about the series as a whole. Oh, and you’ve been warned: There may be SPOILERS.
Continue reading “Comparing the “Mission: Impossible” films”
Two years have passed since I composed my original top ten list on this subject, charting my picks for the ten greatest sports movies of all time. If you haven’t read the list you may want to check it out for some context against part two, below; otherwise you may wonder why, seemingly, such classics as “Raging Bull,” “Jerry Maguire,” and “He Got Game” aren’t mentioned. Remember, today’s list starts at #11, although that film, as you’ll read in just a moment, should have made my original top 10 list instead. Alas, hindsight is 20/20.
Here is a new ranking of ten more great sports movies (and a few more besides). Thanks for reading!
Continue reading “Ten More Great Sports Movies (11-20)”
“Avengers: Infinity War” opens soon, and set a box office record a few weeks ago in terms of opening weekend pre-sale tickets…breaking the record set by none other than the previous Marvel film, “Black Panther.” Suffice to say, expectations are high.
If you are a MCU (Marvel Cinematic Universe) newbie with plans to see “Avengers: Infinity War” at theaters, count on being in over your head. By my count, there have been 18 films preceding this one, their stories ultimately interconnected, their protagonists’ fates intertwined. Even such seeming stand-alones as “Guardians of the Galaxy” (2014) and “Ant-Man” (2015) tie in to the decade-long ramp-up of characters and events that began with 2008’s “Iron Man” and culminates in what looks to be a two-part battle for the fate of the universe.
Some Marvel films and characters – Deadpool, the X-Men, and the Fantastic Four spring immediately to mind – exist in their own separate universes. But for the connected MCU mega-verse that is presided over by Nick Fury’s Avengers, audiences have gotten to enjoy an uneven, but mostly fun, cinematic ride. Here are my choices for the Top Ten Marvel Films (So Far):
Continue reading “Top Ten Marvel Films (So Far)”
And so it is Oscar time once more. Last year’s host, Jimmy Kimmel, will be returning for his second at-bat, and the 90th annual Academy Awards show will be filled with stale jokes about the show’s running time, about the #metoo movement (no Harvey Weinstein nor Kevin Spacey in the audience, you can guarantee it), and about whether, as was the case last year when “La La Land” was erroneously declared the Best Picture winner, there will be any last minute envelope mix-ups.
Despite 2017 having been such a banner year for mainstream movies – and for superhero movies in particular – the slate of nominees is, some would, say, disappointing in terms of its ordinariness. “Wonder Woman,” so empowering and successful, walked away empty handed, even in the technical categories. “Thor: Ragnarok” was also snubbed across the board, as was “Lego Batman,” which didn’t even score a customary nomination for Best Animated Feature. “Star Wars Episode VIII: The Last Jedi” earned a few technical nominations, but the only true *hits* to receive above-the-line nods were “Dunkirk” and “Get Out.” (Okay, so “The Shape of Water” lead the pack with 13 nominations, but its “R” rating and graphic nudity worked against it at the box office.)
Will “Dunkirk” or “Get Out” win, reminding audiences that the Academy is not out of touch with popular opinion after all…or will it be something much artsier – “Phantom Thread” perhaps? My gut tells me it will be none of the above. To learn more about those and other nominated films, check out the official Oscar website. For an educated guess on who will win, however, you can do worse than to keep reading the following paragraphs for my predictions.
(GringoPotpourri disclaimer: Although I’m no insider, I have seen all of the nominees mentioned below, and my batting average is well above .500. So there’s that.)
Continue reading “Oscar 2017-18 – predicting the winners”
This concluding entry about every movie to win the Academy Award for Best Picture doesn’t need the four-paragraph intro that Part One did. All you need to know is that the list begins with the 1970’s – generally believed to be the best decade for quality filmmaking – that my all-time favorite movie is on the list, and that after March 4, 2018, another movie will join this list.
(Also, films in italics are especially worth watching. Read on.)
Continue reading “Best Picture Winners by Year – Part Two”
It was just two weeks ago that the Academy of Motion Pictures Arts and Sciences announced the 2017 films, film stars, and filmmakers that were nominated for Academy Awards. There weren’t many surprises, certainly not among the nine films nominated for Best Picture, among them “The Shape of Water,” which leads the race with a not-quite-record-setting 13 nominations, followed by “Dunkirk” with eight and “Three Billboards outside Ebbing, Missouri” with seven.
You can watch for my predicting-the-winners post closer to Oscar night, which this year isn’t until Sunday, March 4th. I will wax poetic at that time about who I think will win, as well as who I think should win. For now, I’m still trying to catch up on some of the nominees, particularly in the categories of Best Documentary Feature and Best Foreign Film.
In the meantime, I’ve had a chance to write up a summary review of the previous 89 winners of the Best Picture Oscar. If this seems like a lot of work, know that I first had the idea last year, but it literally took me 12 months to gather my thoughts, and to rewatch some of the winners in question.
Continue reading “Best Picture Winners by Year – Part One”
2017 was a rather unusual year for movies. For one thing, there were more good movies released than in most other years; I almost made my top ten list a top *twenty* list. (I still did, sort of. Read on.) For another thing, half of the top ten list could easily have been filled by comic book movies; no fewer than three did make the final list. For another thing still, there were many good movies but not many great ones.
The much anticipated “Blade Runner” sequel was every bit as good as I hoped it would be and in some ways better, but then again, it clocked in at almost three hours and I know it didn’t need to be that long. “The Last Jedi,” the eighth film in the “Star Wars” saga – ninth if you include the stand-alone sorta-prequel “Rogue One,” featured more action and more characters than 2015’s disappointing “The Force Awakens,” but it also had sequences that went nowhere and plot holes that didn’t make much sense. “Dunkirk,” that sure-to-sweep-the-Oscars WWII epic from “The Dark Knight” and “Inception” director Christopher Nolan, had several moments of cinematic brilliance, but also bombastic sound mixing, bland casting, and unmemorable characters.
GringoPotpourri’s Top Ten Films of 2017:
Continue reading “Top Ten Films of 2017”
I love movies from all decades, and the fact that a movie was filmed in black-and-white is not enough to prevent me from seeing it. Those old Universal monster movies, starring Lon Chaney, Boris Karloff, and others, are especially re-watchable. Favorites include “Bride of Frankenstein” and “The Mummy,” the latter of which is leagues better than this past summer’s Tom Cruise misfire of the same name. It wasn’t long ago that TCM aired the original “The Invisible Man,” starring Claude Rains as the title character. Phenomenal special effects during the moments when Rains removes the bandages over his now-transparent face, and I can only imagine how horrifying that must have been to see on screen in 1933.
Of course, “The Invisible Man” is tame by today’s standards. Few movies made before 1970 hold up today as viable horror movies, which makes it interesting that, when I published my first top ten list on this subject four years ago, I declared Alfred Hitchcock’s “Psycho,” released in 1960, to be the genre’s all-time best. I did make sure to include a couple of old movies in my latest top ten list, although the oldest one, 1973’s “The Wicker Man,” is still four decades “newer” than “The Invisible Man.” On a more contemporary note, one of the entries, “Get Out,” was released just seven months ago!
Enough explaining! Below is my latest list – the fourth in a series – of great horror movies, ten at a time:
Continue reading “Still Another Ten Great Horror Movies (#31-40)”