And so it is Oscar time once more. Last year’s host, Jimmy Kimmel, will be returning for his second at-bat, and the 90th annual Academy Awards show will be filled with stale jokes about the show’s running time, about the #metoo movement (no Harvey Weinstein nor Kevin Spacey in the audience, you can guarantee it), and about whether, as was the case last year when “La La Land” was erroneously declared the Best Picture winner, there will be any last minute envelope mix-ups.
Despite 2017 having been such a banner year for mainstream movies – and for superhero movies in particular – the slate of nominees is, some would, say, disappointing in terms of its ordinariness. “Wonder Woman,” so empowering and successful, walked away empty handed, even in the technical categories. “Thor: Ragnarok” was also snubbed across the board, as was “Lego Batman,” which didn’t even score a customary nomination for Best Animated Feature. “Star Wars Episode VIII: The Last Jedi” earned a few technical nominations, but the only true *hits* to receive above-the-line nods were “Dunkirk” and “Get Out.” (Okay, so “The Shape of Water” lead the pack with 13 nominations, but its “R” rating and graphic nudity worked against it at the box office.)
Will “Dunkirk” or “Get Out” win, reminding audiences that the Academy is not out of touch with popular opinion after all…or will it be something much artsier – “Phantom Thread” perhaps? My gut tells me it will be none of the above. To learn more about those and other nominated films, check out the official Oscar website. For an educated guess on who will win, however, you can do worse than to keep reading the following paragraphs for my predictions.
(GringoPotpourri disclaimer: Although I’m no insider, I have seen all of the nominees mentioned below, and my batting average is well above .500. So there’s that.)
Continue reading “Oscar 2017-18 – predicting the winners”
This concluding entry about every movie to win the Academy Award for Best Picture doesn’t need the four-paragraph intro that Part One did. All you need to know is that the list begins with the 1970’s – generally believed to be the best decade for quality filmmaking – that my all-time favorite movie is on the list, and that after March 4, 2018, another movie will join this list.
(Also, films in italics are especially worth watching. Read on.)
Continue reading “Best Picture Winners by Year – Part Two”
It was just two weeks ago that the Academy of Motion Pictures Arts and Sciences announced the 2017 films, film stars, and filmmakers that were nominated for Academy Awards. There weren’t many surprises, certainly not among the nine films nominated for Best Picture, among them “The Shape of Water,” which leads the race with a not-quite-record-setting 13 nominations, followed by “Dunkirk” with eight and “Three Billboards outside Ebbing, Missouri” with seven.
You can watch for my predicting-the-winners post closer to Oscar night, which this year isn’t until Sunday, March 4th. I will wax poetic at that time about who I think will win, as well as who I think should win. For now, I’m still trying to catch up on some of the nominees, particularly in the categories of Best Documentary Feature and Best Foreign Film.
In the meantime, I’ve had a chance to write up a summary review of the previous 89 winners of the Best Picture Oscar. If this seems like a lot of work, know that I first had the idea last year, but it literally took me 12 months to gather my thoughts, and to rewatch some of the winners in question.
Continue reading “Best Picture Winners by Year – Part One”
2017 was a rather unusual year for movies. For one thing, there were more good movies released than in most other years; I almost made my top ten list a top *twenty* list. (I still did, sort of. Read on.) For another thing, half of the top ten list could easily have been filled by comic book movies; no fewer than three did make the final list. For another thing still, there were many good movies but not many great ones.
The much anticipated “Blade Runner” sequel was every bit as good as I hoped it would be and in some ways better, but then again, it clocked in at almost three hours and I know it didn’t need to be that long. “The Last Jedi,” the eighth film in the “Star Wars” saga – ninth if you include the stand-alone sorta-prequel “Rogue One,” featured more action and more characters than 2015’s disappointing “The Force Awakens,” but it also had sequences that went nowhere and plot holes that didn’t make much sense. “Dunkirk,” that sure-to-sweep-the-Oscars WWII epic from “The Dark Knight” and “Inception” director Christopher Nolan, had several moments of cinematic brilliance, but also bombastic sound mixing, bland casting, and unmemorable characters.
GringoPotpourri’s Top Ten Films of 2017:
Continue reading “Top Ten Films of 2017”
I love movies from all decades, and the fact that a movie was filmed in black-and-white is not enough to prevent me from seeing it. Those old Universal monster movies, starring Lon Chaney, Boris Karloff, and others, are especially re-watchable. Favorites include “Bride of Frankenstein” and “The Mummy,” the latter of which is leagues better than this past summer’s Tom Cruise misfire of the same name. It wasn’t long ago that TCM aired the original “The Invisible Man,” starring Claude Rains as the title character. Phenomenal special effects during the moments when Rains removes the bandages over his now-transparent face, and I can only imagine how horrifying that must have been to see on screen in 1933.
Of course, “The Invisible Man” is tame by today’s standards. Few movies made before 1970 hold up today as viable horror movies, which makes it interesting that, when I published my first top ten list on this subject four years ago, I declared Alfred Hitchcock’s “Psycho,” released in 1960, to be the genre’s all-time best. I did make sure to include a couple of old movies in my latest top ten list, although the oldest one, 1973’s “The Wicker Man,” is still four decades “newer” than “The Invisible Man.” On a more contemporary note, one of the entries, “Get Out,” was released just seven months ago!
Enough explaining! Below is my latest list – the fourth in a series – of great horror movies, ten at a time:
Continue reading “Still Another Ten Great Horror Movies (#31-40)”
This past Friday I did something that I haven’t done in far too long: I saw a movie in the theater on opening day. The movie: “It: Chapter One.”
When the first YouTube trailer was released, download records were broken and a buzz formed around the movie, a buzz that has never really died down. This fact, coupled with my being a fan of the 1990 ABC-TV miniseries and the 1986 novel, which I’ve read three times, had me go in to Andy Muschietti’s (“Mama”) film with high hopes (and an 18-inch gourmet pretzel to snack on).
My full review follows, but in a word: meh. Continue reading “The “It” Movie Event of the Season Falls Short of Greatness”
I sometimes pepper the travel content of this blog with movie critiques. See, I was a movie geek long before I became a travel geek, and both activities appeal to the dreamer inside me. (I have even penned a few screenplays – of varying degrees of ineptitude.)
The “Alien” films, which began with 1979’s simply-titled “Alien,” comprise one of my favorite movie universes. Not only do they generally have above-average writing and acting, but their art direction and creature design are state of the art. And what kind of traveling journeyman hasn’t dreamed of spending months or years in peaceful cryo-sleep, en route to a new world?!
This past weekend marked the release of “Alien: Covenant,” the sixth film in the franchise. So far, it has all the hallmarks of a box office disaster, although it will still turn an eventual profit following its overseas release. I don’t consider the cheeky “AVP” (“Alien vs. Predator”) movies part of the immediately family, but I will share my thoughts about the six core “Alien” films in the following paragraphs.
Yes, there will be SPOILERS.
Continue reading “Comparing the “Alien” Films”
Behold, it is Oscar time again. Jimmy Kimmel will be hosting the 89th annual Academy Awards, and stars Leonardo DiCaprio, Brie Larson, Mark Rylance, and Alicia Vikander – last year’s winners in the acting categories – will be among the presenters.
The nominated films this year run quite the gamut. “Arrival,” which finds linguists decoding an alien language, is out of this world – literally! “Fences,” about the literal and figurative fences we erect in our lives, is a powerhouse of emotions. “Hacksaw Ridge” inspires and mortifies with its gory depictions of Pacific Theater heroics in World War II. “Hell or High Water,” a western disguised as a heist movie, sets the film’s stakes by the title alone. “Hidden Figures,” revolving around a trio of African-American female NASA scientists, makes math cool again. “La La Land,” an old-fashioned musical set in modern day Los Angeles, aims for the stars…of the Griffith Park Observatory, if nothing else. “Lion,” about an Indian boy who has lost his way, hearkens back to 2008’s “Slumdog Millionaire”…which won eight Oscars. “Manchester by the Sea” sounds British but is as American as movies get, detailing the five stage of grief. Finally, “Moonlight” shows what it must be like to grow up poor, black, fatherless, and gay.
Which movies will Academy of Motion Picture Arts and Sciences voters choose to honor? Continue reading for my predictions…and enjoy the show!
Hell or High Water
La La Land
Manchester by the Sea
Continue reading “Oscar 2016-17 – predicting the winners”
Last year wasn’t a good year for movies. It seemed that every other weekend saw the release of a second-rate animated film, or of yet another superhero sequel. I still haven’t seen “Moana” (which, as it happens, garnered strong reviews) or “X-Men: Apocalypse” (which did not).
There were several bright spots, however. Most of them came late in the year, and by the usual troupe of go-to writers, actors, and directors. Robert Zemeckis teamed up with Brad Pitt and Marion Cotillard for “Allied,” a throwback to classics like “Casablanca.” (If only it was shot in black-and-white.) Clint Eastwood and Tom Hanks worked together for the first time on “Sully,” one of the shorter – and better – movies of the year. Meryl Streep, Denzel Washington, Amy Adams, Jeff Bridges, Emma Stone, and Michael Keaton all showed up…some of them (the five-times-nominated Ms. Adams, for one) more than once!
Two trends revealed themselves as the nominations were announced: films starring minorities, and films based on actual events. “Hidden Figures” introduced us to the black women who worked, unheralded for many years, on NASA’s computing team, while “Loving” showed us what went down when a white man married to a black woman was told that he and his wife could not live in Virginia. Both movies took place in the same state, and around the same decade, and the events depicted in them really happened. Stylistically, however, they couldn’t be more different.
“Hidden Figures” and “Loving” each earned slots on my top ten list for the year. They are joined by eight other worthy films…three of which, like the two mentioned above, are based on actual events!
GringoPotpourri’s Top Ten Films of 2016:
Continue reading “Top Ten Films of 2016”
November has, thus far, been rife with disappointment. On a personal level, I have slowly been making peace with my mother’s passing, less than two months ago, while weathering a relationship break-up that felt like a sucker punch. Regarding the former, it took several weeks to even register the fact that my mom was gone. As for the latter, I’ve been trying to assess what I must have done wrong, but am slowly coming to the conclusion that I will never know for sure. All I can say is that I haven’t been sleeping well.
On the world stage – and for the second occurrence in my lifetime – the better candidate for the United States Presidency won the popular vote but lost the election. And the other day, I logged onto social media to learn that one of my favorite mood poets, Leonard Cohen, had passed away at age 82.
At times like these, I tend towards the melancholy. I spent much of yesterday doing some archiving and came across a few blog posts from 2013. I realized that it was Election Day, 2012, when I moved to Mexico City and established gringopotpourri.com. My blog has changed a lot over the years. For one thing, the writing is better now than it was then. Darker, perhaps, but also better. The regionality of the content has also shifted from being mostly Mexico-focused to being largely Tennessee-focused.
To “celebrate” my blog’s four-year anniversary, I thought I’d share a few of my favorite posts for you, along with comments on how those posts either came to be or how they hold up today. And as always: Thanks for reading!
Continue reading “Onward and Upward: Four Years of Blogging”