And so it is Oscar time once more. Last year’s host, Jimmy Kimmel, will be returning for his second at-bat, and the 90th annual Academy Awards show will be filled with stale jokes about the show’s running time, about the #metoo movement (no Harvey Weinstein nor Kevin Spacey in the audience, you can guarantee it), and about whether, as was the case last year when “La La Land” was erroneously declared the Best Picture winner, there will be any last minute envelope mix-ups.
Despite 2017 having been such a banner year for mainstream movies – and for superhero movies in particular – the slate of nominees is, some would say, disappointing in terms of its ordinariness. “Wonder Woman,” so empowering to women and so successful at the box office, walked away empty handed, even in the technical categories. “Thor: Ragnarok” was also snubbed across the board, as was “Lego Batman,” which didn’t even score a customary nomination for Best Animated Feature. “Star Wars Episode VIII: The Last Jedi” earned a few technical nominations, but the only true *hits* to receive above-the-line nods were “Dunkirk” and “Get Out.” (Okay, so “The Shape of Water” led the pack with 13 nominations, but its “R” rating and graphic nudity worked against it at the box office.)
Will “Dunkirk” or “Get Out” win, reminding audiences that the Academy is not out of touch with popular opinion after all…or will it be something much artsier – “Phantom Thread” perhaps? My gut tells me it will be none of the above. To learn more about those and other nominated films, check out the official Oscar website. For an educated guess on who will win, however, you can do worse than to keep reading the following paragraphs for my predictions.
(GringoPotpourri disclaimer: Although I’m no insider, I have seen all of the nominees mentioned below, and my batting average is well above .500. So there’s that.)
Continue reading “Oscar 2017-18 – predicting the winners”
2017 was a rather unusual year for movies. For one thing, there were more good movies released than in most other years; I almost made my top ten list a top *twenty* list. (I still did, sort of. Read on.) For another thing, half of the top ten list could easily have been filled by comic book movies; no fewer than three did make the final list. For another thing still, there were many good movies but not many great ones.
The much anticipated “Blade Runner” sequel was every bit as good as I hoped it would be and in some ways better, but then again, it clocked in at almost three hours and I know it didn’t need to be that long. “The Last Jedi,” the eighth film in the “Star Wars” saga – ninth if you include the stand-alone sorta-prequel “Rogue One,” featured more action and more characters than 2015’s disappointing “The Force Awakens,” but it also had sequences that went nowhere and plot holes that didn’t make much sense. “Dunkirk,” that sure-to-sweep-the-Oscars WWII epic from “The Dark Knight” and “Inception” director Christopher Nolan, had several moments of cinematic brilliance, but also bombastic sound mixing, bland casting, and unmemorable characters.
GringoPotpourri’s Top Ten Films of 2017:
Continue reading “Top Ten Films of 2017”
I love movies from all decades, and the fact that a movie was filmed in black-and-white is not enough to prevent me from seeing it. Those old Universal monster movies, starring Lon Chaney, Boris Karloff, and others, are especially re-watchable. Favorites include “Bride of Frankenstein” and “The Mummy,” the latter of which is leagues better than this past summer’s Tom Cruise misfire of the same name. It wasn’t long ago that TCM aired the original “The Invisible Man,” starring Claude Rains as the title character. The special effects during the moments when Rains removes the bandages over his now-transparent face are phenomenal, and I can only imagine how horrifying that must have been to see on the big screen in 1933.
Of course, “The Invisible Man” is tame by today’s standards. Few horror films made before 1970 hold up today as viable scary movies, which makes it interesting that, when I published my first top ten list on this subject four years ago, I declared Alfred Hitchcock’s “Psycho,” released in 1960, to be the genre’s all-time best. I did make sure to include a couple of old movies in my latest top ten list, although the oldest one, 1973’s “The Wicker Man,” is still four decades newer than “The Invisible Man.” On a more contemporary note, one of the entries, “Get Out,” was released just seven months ago!
Enough explaining! Below is my latest list – the fourth in a series – of great horror movies, ten at a time:
Continue reading “Still Another Ten Great Horror Movies (#31-40)”