2017 was a rather unusual year for movies. For one thing, there were more good movies released than in most other years; I almost made my top ten list a top *twenty* list. (I still did, sort of. Read on.) For another thing, half of the top ten list could easily have been filled by comic book movies; no fewer than three did make the final list. For another thing still, there were many good movies but not many great ones.
The much anticipated “Blade Runner” sequel was every bit as good as I hoped it would be and in some ways better, but then again, it clocked in at almost three hours and I know it didn’t need to be that long. “The Last Jedi,” the eighth film in the “Star Wars” saga – ninth if you include the stand-alone sorta-prequel “Rogue One,” featured more action and more characters than 2015’s disappointing “The Force Awakens,” but it also had sequences that went nowhere and plot holes that didn’t make much sense. “Dunkirk,” that sure-to-sweep-the-Oscars WWII epic from “The Dark Knight” and “Inception” director Christopher Nolan, had several moments of cinematic brilliance, but also bombastic sound mixing, bland casting, and unmemorable characters.
GringoPotpourri’s Top Ten Films of 2017:
Continue reading “Top Ten Films of 2017”
I love movies from all decades, and the fact that a movie was filmed in black-and-white is not enough to prevent me from seeing it. Those old Universal monster movies, starring Lon Chaney, Boris Karloff, and others, are especially re-watchable. Favorites include “Bride of Frankenstein” and “The Mummy,” the latter of which is leagues better than this past summer’s Tom Cruise misfire of the same name. It wasn’t long ago that TCM aired the original “The Invisible Man,” starring Claude Rains as the title character. Phenomenal special effects during the moments when Rains removes the bandages over his now-transparent face, and I can only imagine how horrifying that must have been to see on screen in 1933.
Of course, “The Invisible Man” is tame by today’s standards. Few movies made before 1970 hold up today as viable horror movies, which makes it interesting that, when I published my first top ten list on this subject four years ago, I declared Alfred Hitchcock’s “Psycho,” released in 1960, to be the genre’s all-time best. I did make sure to include a couple of old movies in my latest top ten list, although the oldest one, 1973’s “The Wicker Man,” is still four decades “newer” than “The Invisible Man.” On a more contemporary note, one of the entries, “Get Out,” was released just seven months ago!
Enough explaining! Below is my latest list – the fourth in a series – of great horror movies, ten at a time:
Continue reading “Still Another Ten Great Horror Movies (#31-40)”