It was just two weeks ago that the Academy of Motion Pictures Arts and Sciences announced the 2017 films, film stars, and filmmakers that were nominated for Academy Awards. There weren’t many surprises, certainly not among the nine films nominated for Best Picture, among them “The Shape of Water,” which leads the race with a not-quite-record-setting 13 nominations, followed by “Dunkirk” with eight and “Three Billboards outside Ebbing, Missouri” with seven.
You can watch for my predicting-the-winners post closer to Oscar night, which this year isn’t until Sunday, March 4th. I will wax poetic at that time about who I think will win, as well as who I think should win. For now, I’m still trying to catch up on some of the nominees, particularly in the categories of Best Documentary Feature and Best Foreign Film.
In the meantime, I’ve had a chance to write up a summary review of the previous 89 winners of the Best Picture Oscar. If this seems like a lot of work, know that I first had the idea last year, but it literally took me 12 months to gather my thoughts, and to rewatch some of the winners in question.
Continue reading “Best Picture Winners by Year – Part One”
I recently watched the film “Mr. Turner,” a biopic from director Mike Leigh about the last 25 years in the life of British seascape painter HMW Turner. Although I love art, I must confess that I wasn’t too familiar with Turner’s work, as the majority of his collection is housed inside the Tate Britain, a museum that I have yet to visit. The movie suggested that Mr. Turner (played by Timothy Spall) was always composing art in his mind, and that he failed at most other aspects of life, including relationships, until he finally settled down with a widowed innkeeper late in life. The “script” for the film was conceived by Leigh yet was comprised largely of dialogue improvised by the cast during rehearsals prior to shooting. The result is a long movie of vignettes, some of them funny, linked by some of the most painterly cinematography I’ve seen in a film in a long time.
Naturally, I started thinking. What are the best screen biographies to come out of Hollywood, or out of cinema in general? The aforementioned, at times aimless “Mr. Turner” wouldn’t quite make the cut, but the “artist” category no doubt produced at least one-half dozen contenders in a single sub-genre. Ditto for the categories of actor/actress, singer/musician, athlete, politician/war hero, physically/mentally challenged, etc.
Continue reading “Top Ten Screen Biopics”